After months of being neck-deep in development, we finally hit pause and took a proper family trip — just us, the open roads of Western Australia, and a very packed van. The plan was simple: land in Perth, wander a bit, then road trip down to Margaret River with the kids and my brother-in-law’s family. In the end, it turned out to be a pretty enjoyable trip — low-key, well-paced, and a nice break from our usual routine. Read more.
I’ve always loved cars—reading about them, watching builds online, admiring them on the streets—but until recently, I’d never actually worked on one myself. That all changed when a broken side mirror pushed me to get hands-on for the first time. What started as a simple fix turned into a deep dive into DIY car mods, and before I knew it, I was designing parts, printing adapters, and upgrading my intake system. Read more.
After the madness of our early access launch back in October, things have finally settled down enough for me to take a breath—and reflect. Glyphica has been a labor of love, frustration, inspiration, and a lot of late nights, and now that the dust has cleared (a little), I thought it would be a good time to do a bit of a retrospective on how this project came to be. Read more.
The random number generator (RNG) is an integral component found in numerous game engines, allowing for the introduction of chance and unpredictability. Despite its ubiquitous presence, the positioning of player decisions in relation to dice rolls is a frequently disregarded aspect. Today, we will delve into this intriguing aspect and explore how it can significantly impact the dynamics of a game. Read more.
When it comes to strategy games, the discussion often revolves around the delicate balance between depth and complexity. These two concepts play a crucial role in shaping the learning curve of a game and ultimately determining its long-term engagement. In this essay, we will delve into the concept of depth and complexity in games and explore their relationship with each other. Read more.
Among theories of game design, Marc LeBlanc’s essay on Mechanics, Dynamics, and Aesthetics (MDA) stands as a seminal work. However, while MDA is widely studied in academic circles, its practical application often remains elusive, with limited examples available to aspiring designers. In this blog post, we aim to shed light on the practical aspects of applying MDA and explore its potential in game design. Read more.
It was a snowy Norrland morning in the middle of October, the advent of sunless winter months to come, when it was announced that Paradox Arctic (where I work) would be collaborating with PDS Green to work on Stellaris. That was a bittersweet moment for me—on one hand, Arctic had just recently endured the cancellation of a project, on the other, it was an opportunity to work on a game I enjoyed. Read more.
Resources in games are usually taken for granted. They exist, of course—every game has them—but they are often overshadowed by other more elaborate and publicized mechanics. My recent foray into the realm of Grand Strategy, a genre that puts so much emphasis on resources that the games have been jokingly called spreadsheet applications, have let me appreciate how important they are in forming the backbone of a well-executed strategy game. Resources in every game can be summarily categorized into three varieties (the titular trinity), read on if this intrigues you as much as it does me. Read more.
Moving to Sweden to join Paradox was motivated primarily by my love for their games and a shove forward for my career as a game designer, but at the same time, I was also entranced by Sweden’s natural beauty and colorful history. Coming from the land-scarce and constantly under-construction metropolis of Singapore, the allure of open skies and storied architecture of old is hard to resist. Over the summer break, I managed to convince my family that a 642 kilometer road trip to southern Sweden to look at old buildings was a good idea. I’m still surprised they fell for it. Read more.
After spending a decade building games for the so-called casual audience, changing course to work on a behemoth like Stellaris has at once been inspiring, academic and humbling for me. While most of the design philosophies I’ve acquired in my career so far have been surprisingly transferable to this new genre, a lot of the practical aspects have to be relearned. In the settling dust of my scuffle with the grand strategy giant, one of the most interesting insights that has crystallized from the chaos was a newfound understanding of Paradox’s fascination with the player-driven fantasy. Read more.